|
company |
author |
performance |
direction |
|
Czech Republic |
|
Derevo, Prague |
|
A Man Kissing the Bottom of a Boat (part two: The Rider) |
Anton Adasinskiy |
|
Czech Republic |
|
Non - Children’s Studio of the Theatre Goose on the String, Brno |
Vladimír Morávek |
Dreams |
Vladimír Morávek |
|
Czech Republic |
|
The Theatre on the Balustrade, Prague |
Oleg Yuriev |
A Little Disaster in the Station Buffet |
Arnošt Goldflam |
|
Czech Republic |
|
Theatre Goose on the String, Brno |
Lewis Carroll, Eva Tálská |
Alice in Wonderland and behind the Mirror |
Eva Tálská |
|
Hungary |
|
The Multaság Theatre, Budapest |
Slawomir Mrożek |
Entertainment (Tragicomedy) |
Árpad Árkosi |
|
Slovenia |
|
The Slovenian Theatre Mladinsko and Cosmokinetic Theatre Red Pilot, Ljubljana |
Dragan Živadinov according to T.S. Eliot’s “Murder in the Cathedral” |
The Drama Observatory Zenith |
Dragan Živadinov, Red Pilot |
|
Yugoslavia |
|
Slovak Theatre VHV, Stará Pazova |
Miroslav Benka |
SOS Save Our Souls (Paratheatral Instalment in Fifteen Dreams) |
Miroslav Benka |
|
Slovak Republic |
|
Andrej Bagar Theatre, Nitra |
Károly Kazimir |
Charming Ladies in a Rich House |
Jozef Bednárik |
|
Slovak Republic |
|
Aréna, Bratislava |
Milan Sládek |
Pantomimes |
Eduard Žlábek |
|
Slovak Republic |
|
GUnaGU, Bratislava |
Vladimír Balek, Viliam Klimáček, Ivan Mizera, Aleš Votava |
Gulp (Blasphemy in Motifs) |
Aleš Votava |
|
Slovak Republic |
|
Lighthouse, Žilina |
Jiří Břenek |
Rap Tap on the Head (Scenic Variations for the “Six Dull Jacks”) |
Jiří Břenek |
|
Slovak Republic |
|
Slovak National Theatre - Drama, Bratislava |
David Hare |
The Racing Demon |
Martin Huba |
|
Slovak Republic |
|
Slovak National Theatre - Opera, Bratislava |
Charles Gounod |
Faust and Margaret |
direction Jozef Bednárik, choreography Libor Vaculík |
|
Slovak Republic |
|
STOKA, Bratislava |
Blaho Uhlár and co. |
Deep Enough (Heavy Mental) |
Blaho Uhlár |
|
Slovak Republic |
|
Studio S, Bratislava |
Milan Lasica, Július Satinský |
Our Friend René (A Monumental Historical Fresco with a Break) |
Jaroslav Filip |
|
Slovak Republic |
|
The Academy of Music and Dramatic Arts, Bratislava |
J. W. Goethe, J. Vostrý |
Clavijo |
Anton Šulík |
|
Slovak Republic |
|
The Jonáš Záborský Theatre, Prešov |
Mikuláš Kočan |
Andrišku, Andrišku,… (Geese, where Are You Flying to?) |
Jozef Prážmári |
|
Slovak Republic |
|
The Jonáš Záborský Theatre, Prešov |
Peter Scherhaufer |
Black Hair (Who Needs You) |
Peter Scherhaufer |
|
Slovak Republic |
|
The Radošina Naive Theatre, Bratislava |
Stanislav Štepka |
Fondling - Not Love (The Second Report on Humanity) |
Juraj Nvota |
|
Slovak Republic |
|
The Slovak National Uprising Theatre, Martin |
Štefan Korenči, Róbert Mankovecký |
Waiting for Bohoš (A Clown’s Mystery or Mystic Clownery) |
Štefan Korenči |
|
Slovak Republic |
|
The State Puppet Theatre, Bratislava |
Ondrej Spišák |
The Biggest Lie (Slovak Tales from Samo Czambell’s Collection) |
Ondrej Spišák |
|
Slovak Republic |
|
The Theatre of Trnava, Trnava |
Vlastimil Venclík |
Daddy, We Can Afford It! (A Domestic Performance) |
Juraj Nvota |
