|
company |
author |
performance |
direction |
|
Croatia |
|
TRAFIK (transitive - fiction theatre), Rijeka |
Magdalena Lupi a kol. |
The Walker (Hommage a Janko Polić Kamov) |
Magdalena Lupi |
|
Czech Republic |
|
Klicpera’s Theatre, Hradec Králové |
Alois and Vilém Mrštíks |
Marysha (however, in Truth “Mařka” or “Serves You Right, Monster!”) |
Vladimír Morávek |
|
Czech Republic |
|
The Theatre on the Balustrade, Prague |
Anton Pavlovich Chekhov |
Uncle Vanya |
Petr Lébl |
|
Czech Republic, Italy |
|
Déja Donné Production |
Lenka Flory, Simone Sandroni |
Aria Spinta |
direction and choreography Lenka Flory, Simone Sandroni |
|
France |
|
Thé‚tre du Shaman, Lyon |
Samuel Beckett |
Short Plays (Quoi ou - Impromptu d’Ohio - Catastrophe - Pas) |
Bruno Meyssat |
|
Hungary |
|
Katona József Színház - Kamra, Budapest |
Bertold Brecht |
Baal |
Árpád Schilling |
|
Lithuania |
|
Oskaro Korśunovo Teatras, Vilnius |
William Shakespeare |
A Midsummer Night’s Dream |
Oskaras Korśunovas |
|
Poland |
|
Teatr Rozmaitości, Warsaw |
William Shakespeare |
Hamlet |
Krzysztof Warlikowski |
|
Russia |
|
V.F. Komissarzhevska Dramatic Academic Theatre, St. Petersburg |
William Shakespeare |
The Tempest (Scenic version of Alexander Morfov in two acts) |
Alexander Morfov |
|
Slovenia |
|
Slovensko narodno gledališče - Drama, Maribor |
Eugéne Ionesco |
Macbett |
Sebastijan Horvat |
|
Sweden |
|
Manjana Theatre, Stockholm |
August Strindberg |
Miss Julie (pantomime) |
Nola Rae |
|
Slovak Republic |
|
Andrej Bagar Theatre, Nitra |
Anton Pavlovich Chekhov |
The Seagull |
Svetozár Sprušanský |
|
Slovak Republic |
|
PIKI Theatre, Pezinok |
Katarína Aulitisová |
Monsterium (based on Dušan Taragel’s book “Fairy Tales for Disobedient Children and Their Caring Parents”) |
Katarína Aulitisová, Ľubomír Piktor |
|
Slovak Republic |
|
Slovak National Theatre - Drama, Bratislava |
Eugéne Ionesco |
Chairs |
Ľubomír Vajdička |
|
Slovak Republic |
|
TREES, Civic Association for Independent Theatre, Bratislava |
Ján Štrbák |
Destroyed Time |
Ján Štrbák |
