|
comapany |
author |
performance |
direction |
|
Czech republic |
|
Dejvice Theatre, Prague |
Anton Pavlovich Chekhov |
The Three Sisters |
Miroslav Krobot |
|
Czech republic |
|
Polárka Theatre, Brno |
Lewis Carroll, Miroslav Oščatka |
Alice 01, Alice 001 |
Martin Čičvák |
|
France |
|
Company Montalvo-Hervieu, Créteil |
Company Montalvo-Hervieu |
Babelle Heureuse |
José Montalvo Dominique Hervieu |
|
Latvia |
|
The New Riga Theatre, Riga |
Nikolay Vasilievich Gogol |
The Inspector General |
Alvis Hermanis |
|
Hungary |
|
Madách Kamara, Budapest |
Alexander Sergeyevich Pushkin |
Boris Godunov |
Balázs Kovalik |
|
Hungary |
|
Radnóti Theatre, Budapest |
Hans Henny Jahn |
Medea |
Sándor Zsótér |
|
Poland |
|
Teatr Polski in Poznań |
Nikolay Kolyada |
Dead Princess |
Paweł Szkotak |
|
Russia |
|
Moscow Theatre OKOLO doma Stanislavskogo |
Alexander Vampilov, Anton Pavlovich Chekhov |
Pilgrims and Hussars |
Youri Pogrebnitchko |
|
Great Britain |
|
Nigel Charnock + Company |
Nigel Charnock + Company |
Frank |
Nigel Charnock |
|
Slovak Republic |
|
British Council, Metamorphosis Association, Theatre Astorka Korzo ‘90 |
Neil LaBute |
BASH (plays of recent days) |
Jan Willem van den Bosch |
|
Slovak Republic |
|
The Alexander Dukhnovich Theatre, Prešov |
Miloš Karásek |
A Platform (Seeking identity in 18 fragments) |
Miloš Karásek |
|
Slovak Republic |
|
Andrej Bagar Theatre, Nitra |
Anton Pavlovich Chekhov |
The Three Sisters |
Svetozár Sprušanský |
|
Slovak Republic |
|
Slovak National Theatre – Drama Ensemble, Bratislava |
Eva Maliti-Fraňová |
Krcheň the Immortal |
Roman Polák |
|
Slovak Republic |
|
Academy of Music and Dramatic Arts, Bratislava |
Anton Pavlovich Chekhov |
Platonov |
Marián Amsler |
